Ensemble, Guests, Opera Studio & Teams

Corinna Scheurle

mezzo-soprano

Corinna Scheurle
© Simon Pauly

Corinna Scheurle is back at Oper Frankfurt, where she gave a recital in the Holzfoyer, to make her debut on the main stage in this revival of Weinberg's The (female) Passenger. After time spent at the Staatsoper in Berlin and Bayerische Staatsoper in Munich’s international opera studios, where she sang her first lead roles, this German-Hungarian mezzo-soprano joined the ensemble at the Staatstheater in Nürnberg in 2021/22, where new roles included Carmen, Octavian (Der Rosenkavalier), Angelina (La Cenerentola), Hänsel (Hänsel und Gretel), Donna Elvira (Don Giovanni), Orlofsky (Die Fledermaus), Meg Page (Falstaff) and Antiope (in Maria Antonia Walpurgis’ Talestri). She sang her first Cherubinos (Le nozze di Figaro) under Daniel Barenboim and Dryade (Ariadne auf Naxos) at the Staatsoper Berlin in 2021, which was followed by a new production of Le nozze di Figaro in Nürnberg with Joana Mallwitz. Recent triumphs have included the title role in Rossini's La Cenerentola at the Vorarlberg Landestheater and Stéphano (role debut) in Gounod's Roméo et Juliette at the Staatsoper in Berlin. Other guest engagements have taken this young artist to the Semperoper in Dresden and National Opera in Prague, the MüPa in Budapest, the Opéra de Lille, Landestheater in Salzburg and fesivals in Aix-en-Provence, Glyndebourne, Baden-Baden, Bregenz and Erl. She has worked with conductors & directors including Daniel Barenboim, Kirill Petrenko, Thomas Guggeis, Yannick Nézét-Séguin, Joana Mallwitz, Marco Armilliato & Antonello Manacorda, Hans Neuenfels, Brigitte Fassbaender, Andrea Breth & Jens-Daniel Herzog. Recent concert work has included appearances with the Munich Radio Orchestra, the Kammerakademie Potsdam, Chamber Orchestra of Europe, Vorarlberg Symphonieorchester and Camerata Salzburg. She also appears regularly in recital and her first CD, with works by Bartók, Kodály, Schumann and Berg with her pianist Klara Hornig, was released by the Bayerische Rundfunk. Recent awards have included the 2025 Vorarlberg Culture Prize and she enjoyed great success at the Hugo-Wolf Academy in Stuttgart's International Lieder Competition