During her third season as a member of Oper Frankfurt's ensemble the young soprano Angela Vallone can be heard as Charlotte and a Singing Lady in Křenek's Der Diktator and Das geheime Königreich / The Secret Kingdom, Alkandre in Pénélope and Doralice in La gazzetta - both new productions - Second Niece in Peter Grimes and a Lady-in-Waiting in a new production of Henze's Der Prinz von Homburg. This American singer's roles in Frankfurt have included Mozart's Pamina and Susanna, the Sandman (Hänsel und Gretel), Echo (Ariadne auf Naxos), Jitka (new production of Smetana's Dalibor), Frida (new production of Trojahn's Enrico) and Belinda (Dido and Aeneas). She sang Mozart's Susanna at the Teatro Municipal in Santiago de Chile in 2017. Whilst still a student at the Julliard School in New York she appeared in the title role in Cavalli's La Calisto and 1st Greek Woman in Iphigénie en Aulide, amongst others, as part of the Metropolitan Opera's Lindemann Young Artist Development Program. Angela Vallone has appeared in concert with the Nürnberg Symphony and Durham Symphony Orchestra, Juilliard's AXIOM New Music Ensemble in Oliver Knussen'sRequiem: Songs for Sue and Servilia (La clemenza di Tito) in the Tchaikovsky Hall in Moscow. Angela Vallone was awarded a scholarship by the Tanglewood Music Center and took part in a Mozart Residency at the Festival d’Aix-en-Provence. She won 1st Prize at the 2017 International Gerda Lissner Singing Competition.